the drawing of the war of streets and houses

One can talk or write about architecture, but sometimes it is just easier to draw it. I’m not very good at drawing. I’m much better with words. But I still draw, because there are things that need to be pictured

the drawing of the war of streets and houses

One can talk or write about architecture, but sometimes it is just easier to draw it. I’m not very good at drawing. I’m much better with words. But I still draw, because there are things that need to be pictured

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user style: angela washko

User Style is set of interviews which introduce different figures, exploring how they function as users, and the way network/digital culture impacts their lifestyles and work..Angela Washko, artist, writer, archivist, gamer and soon to be figurehead of her own TV

user style: angela washko

User Style is set of interviews which introduce different figures, exploring how they function as users, and the way network/digital culture impacts their lifestyles and work..Angela Washko, artist, writer, archivist, gamer and soon to be figurehead of her own TV

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ghosts on a train

Spoiler warning: this essay contains spoilers for trains, Snowpiercer, capitalism, and this essay. Standing on the platform, the passenger idly turns over the ticket clutched in a dirty, callused hand. On the reverse is the fine print. It reads: We

ghosts on a train

Spoiler warning: this essay contains spoilers for trains, Snowpiercer, capitalism, and this essay. Standing on the platform, the passenger idly turns over the ticket clutched in a dirty, callused hand. On the reverse is the fine print. It reads: We

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the state transmissions 013: duncan gerow’s crescent fresh mix

We first came across Duncan’s soundcloud page after we listened to his remix of ‘Loyal’ by Chris Brown, French Montana, Lil Wayne + Misogi, then to his remix of of ‘Case of the Ex’ by Mya + J. Dilla, then

the state transmissions 013: duncan gerow’s crescent fresh mix

We first came across Duncan’s soundcloud page after we listened to his remix of ‘Loyal’ by Chris Brown, French Montana, Lil Wayne + Misogi, then to his remix of of ‘Case of the Ex’ by Mya + J. Dilla, then

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the insurgent artist fails to escape capitalism

Here’s how capitalism works, from the perspective of one insurgent artist. You are constantly surrounded by it. On the road, traveling to your destination, there is nothing but fast food and refueling stations, selling the same handful of molecules recombined

the insurgent artist fails to escape capitalism

Here’s how capitalism works, from the perspective of one insurgent artist. You are constantly surrounded by it. On the road, traveling to your destination, there is nothing but fast food and refueling stations, selling the same handful of molecules recombined

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ISSUE #2: hawai’i, edited by nj stallard

We’re excited to present the second guest-edited issue! This one is from NJ Stallard—Dubai-based writer/DJ and editor of Brownbook Magazine. (Cop her Eritrean cassette tapes TRANSMISSION here). This time, we’re looking at Hawai’i—not the physical, historicised place so much as

ISSUE #2: hawai’i, edited by nj stallard

We’re excited to present the second guest-edited issue! This one is from NJ Stallard—Dubai-based writer/DJ and editor of Brownbook Magazine. (Cop her Eritrean cassette tapes TRANSMISSION here). This time, we’re looking at Hawai’i—not the physical, historicised place so much as

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impermanence architecture: the hexayurt

If the tent is the lowest common denominator of temporary architecture, and the geodesic dome is the highest, the hexayurt feels somewhere in the middle. Inspired by the tensegrity of the dome but using concepts as simple as the tent,

impermanence architecture: the hexayurt

If the tent is the lowest common denominator of temporary architecture, and the geodesic dome is the highest, the hexayurt feels somewhere in the middle. Inspired by the tensegrity of the dome but using concepts as simple as the tent,

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